Capricorn one reviews3/23/2023 ![]() ![]() ![]() It’s super bombastic and driving but with this film it does something that’s rare, it’s a key element that makes this film go from watchable to memorable. Despite some dating in the material, the premise still remains intriguing and provides for a few sequences that are gripping.Īll three astronauts have different personalities, Brubaker is the captain of our team followed by Willis the joker and concluded with Walker the man following the captain and doesn’t have much to do but be a father like the other three.Īll actors and actresses are like a who’s who of some popular names of the seventies, including the two cameos in the film and as an ensemble they don’t waste the premise and provide for an entertaining film that sometimes slows a bit at times but when it gets going, it does in a big way thanks to a solid editing job and the score from Jerry Goldsmith that still remains one of my favorite film scores ever. There are complications and twists during this story with our reporter and the three astronauts and they are handled very well in the hands of director Peter Hyams. What if astronauts went to space only to find out they went nowhere but to a nearby TV studio and made the public believe that they were in outer space. Here’s a movie that provides a solid viewing thanks to an irresistable premise. From that point, it’s up to Caufield to reveal the truth about what has happened before he turns out to be the next victim. Inside the control room, Elliot Whitter (Robert Walden) starts to notice something unusual about the signals and tells his reporter buddy Robert Caufield (Elliot Gould) but before he can tell him more, he mysteriously disappears. James Kelloway (Hal Holbrook) who has forseen this problem and has a solution: to fake the landing on Mars for television when there is direct communications with the shuttle. What the three astronauts don’t know is that the shuttle is faulty and the space program has had many problems before and this mission means the future of the program, according to the head man, Dr. There is widespread coverage over the nation including the presence of the Vice President on launching day. Simpson) are three astronauts prepared for the space program’s most prominent mission, exploring the planet Mars. Charles Brubaker (James Brolin), Peter Willis (Sam Waterston) and John Walker (O.J. Although local TV did no picture quality justice to this movie, it remained an intense tale about a reporter, three astronauts and a shuttle called Capricorn One One of those films had a solid premise and was constant viewing to this viewer. From Halloween 2 to Thank God It’s Friday, second tier movies used to be a fixture while sports were out of season on Sundays until the corporations took over all the local channels with paid programming. ![]() In the mid-80s, many older films that might not have gotten a huge following in the theatres got great exposure on local channels thanks to being broadcast with few commercials to solid ratings and followings of new even though the movie might have been a product of its time. In the end, Capricorn One is a lightweight but likable affair which provides plenty of fun for thriller fans.Plot: What’s it about? Video: How does it look? Audio: How does it sound? Supplements: What are the extras? Plot: What’s it about? There are also plenty of great cameos, the best being Telly Savalas' scene-stealing work as an easily annoyed aviator. However, the glue that holds the film together is the tight ensemble work of its gifted cast: Elliott Gould effectively utilizes his off-kilter charm to flesh out a stock "intrepid reporter" role, James Brolin is appropriately stoic as the bravest of the astronaut trio, and Hal Holbrook is quietly effective as a government figure with a hidden agenda. The thrills Hyams generates are bolstered by plenty of noteworthy assistance behind the camera, the most notable contributions being Bill Butler's sharp widescreen cinematography and Jerry Goldsmith's rousing, militaristic score. The script is peppered with plenty of rapid-fire dialogue worthy of a Howard Hawks comedy (the exchanges between Elliott Gould and Karen Black are particularly memorable) and Hyams applies plenty of style and pizzazz to the film's action set pieces, especially the memorable "dogfight" finale. The script's conspiracy-theory premise requires a major suspension of disbelief, but Hyams makes it worthwhile for those willing to make that leap with some inspired work behind the camera. This agreeable high-concept effort is one of Peter Hyams' most accomplished films. ![]()
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